Genetic Moo LG and Jockel Liess LG provide an insight into the computer programs that brought the numerous digital photos, video and sound clips together, creating an audiovisual Smörgåsbord.
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Genetic Moo LG and Jockel Liess LG provide an insight into the computer programs that brought the numerous digital photos, video and sound clips together, creating an audiovisual Smörgåsbord.
Read moreFLUX | MELTDOWN …not a moment to spare.
Read moreI have evolved a roundabout method, more assemblage than straightforward painting.
Read moreI use materials in an unconventional way and on many different surfaces to create my work.
Read moreProcess Action Process
Read moreI try to push the boundaries of what is possible with mark making in printmaking.
Read moreMarenka Gabeler’s latest article in her series on art and health featuring Victoria Rance LG
Read more“…so profoundly moving I spent an hour in the space and was deserted by my companion, but it was worth it.” Exhibition Review by Cadi Froehlich LG
Read moreAs we approach winter and its shortened days, what better way to add colour into our lives than by celebrating colour. Our London Group members talk all things colour.
Read moreMarenka Gabeler’s latest article in her series on art and health featuring Bryan Benge LG
Read moreThat is my question and wouldn’t it be nice if everyone shouted ‘me me me, yes please’?
Read moreTommy Seaward LG lets us in on the highs and lows of his time as Secretary of The London Group. He is stepping down after more than two and half years in the role.
Read moreBiology, architecture and climate concerns are all subjects which we struggle to fully understand, and by peeking round the edges and slicing and exposing materials, Hendry has offered a glimpse into these worlds. Exhibition Review by Cadi Froehlich LG
Read moreOur series of interviews with long-serving Group members continues with the indefatigable Suzan Swale and her memories of college, passion for painting and orange peel bikinis.
Read moreA short film introducing The London Group artist Julie Held whose early motivation was to make what she felt inside tangible. The film was shot during the summer of 2019 by Oli Clark.
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