Beverley Duckworth
My practice explores boundaries and disconnections through time.
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Mark Dunford
Making a statement about painting is always very dangerous. There are always more questions than satisfactory answers. Everything is in a state of flux and continuously changing.
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Angela Eames
Angela Eames is a drawer whose practice has continuously involved the exploration of drawing in relation to technology.
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Anthony Eyton OBE RA
I like having a problem to solve, pitting my wits against the evidence of the senses. I want to be accurate in resolving the problem, to meet the challenge of light and colour and sense of place.
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James Faure Walker
Do I have to explain why I make pictures this way? Does it matter any more that I work both digitally and with real paint?
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Eric Fong
Eric Fong is a multimedia artist working in film, photography, sculpture and installation. His practice explores issues relating to the body, identity and vulnerability in the context of biomedicine and forensic anthropology, often informed by his past experience as a medical doctor.
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Cadi Froehlich
My work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.
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Marenka Gabeler
My work is about my grandmother. She is 90 years old and suffers from Alzheimer’s disease.
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Genetic Moo
Genetic Moo creates immersive interactive experiences which encourage experimentation and collaborative play. We call our exhibitions Microworld.
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Emilia González Salgado
My work delves into the understanding of identity, as body and place within various dissonant spaces.
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Vaughan Grylls
I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964.
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Susan Haire
Vanishing Point, a long term work-in-progress, has involved sculpture, installation, photography, video and collaboration with three composers…
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Alexandra Harley
I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.
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Julie Held
I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.
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Aude Hérail Jäger
On and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.
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Bill Henderson
Concerning: ‘Music for the Storyteller’. 1999 to present.
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Martin Heron
I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.
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Alexander Hinks
My practice represents the relationship between nature, technology and even the sublime – as upon peering into another world with bold straight line structures which contrast curves and fluidity, the voids and chasms of space alluding to universes.
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