Annie Johns
“Making makes, say, boxes and the boxes may be good to look at, but making always matters: so, if anything is to be made to last, it might as well be the making as the box”*
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Judith Jones
As a Fine Art Photographer my work often relates to personal conflicts and human frailties.
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Matthew Kolakowski
I have tried to undermine the authority of the gestural mark.
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Anne Leigniel
Lightness fragility and ephemerality are recurring themes in my practice.
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Jockel Liess
I am an audiovisual artist and composer. My mainly abstract works are meditative environments as explorational spaces of aesthetic concepts. They examine microtonality, timbre, texture, colour and the self-similarity of image and sound, as well as the indeterminacy of change.
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Pauline Little
For me, painting must operate independently of fashion if it is to make a meaningful statement.
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Amanda Loomes
My art practice is a form of socially engaged portraiture and involves filming people in their place of work.
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Hannah Luxton
Hannah Luxton makes paintings inspired by the natural sublime and the late 18th Century Romantic notion that a divine order resides within raw nature.
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Bethany Marett
My work concerns the corporeal and all the contrasting and conflicting aspects inherent; how bodies are sensual, beautiful, ugly, damaged, idealised, sexual, abject, gendered, delicate.
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Graham Mileson
In 1991 at the Triangle International Artists Workshop in New York State I had the opportunity to use Interference Colour, this was when, this new artists medium was not available in the UK.
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Eric Moody
Over the years I have developed a focus on the material evidence of the interaction between city dwellers and their built environment.
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C. Morey de Morand
With a background of unknown forces and the mysterious chaos of the universe, the world in which we exist has rules imposed to define our society. We ourselves then impose our own boundaries, rules, moralities, guidelines by which we live: to make us safe.
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Peter Morrell
Words add little to paintings. They should present their own case.
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Charlotte C Mortensson
I work with photography, video and painting.
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Kathleen Mullaniff
Since 1994 I have been exploring a series of inter-related issues, which takes as a fundamental question: how can painting embrace decoration to disclose a narrative of loss and dislocation?
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