I am interested in the interplay between the ‘field’ and its ‘parts’, between moment and continuity and the observer’s role in the flux of ideas, phenomena and perception.
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I am interested in the interplay between the ‘field’ and its ‘parts’, between moment and continuity and the observer’s role in the flux of ideas, phenomena and perception.
Read moreMy paintings are a continuous exploration of spatial ideas through colour, surface and texture which are applied and manipulated to produce an intense interactive little drama emerging out of a field of flat colour.
Read moreIn my sculptures there are three main themes.
Read moreBeauty in the age of digital manipulation, stills in a mediated world that conjure up a hidden narrative beyond the surface of the work. Caught between the mediums where fact mixes with fiction my work seeks to open up interpretation and questions our need for answers.
Read moreWhile my practice is grounded in printmaking, I revel in breaking down the limitations of materials and reinventing traditional handicrafts. My highly tactile works capture a child like sense of delight with a combination of humour and melancholy.
Read moreMy early work, 1950s/60s, grew out of great admiration for C. Permeke, Picasso, Cubists and especially Goya’s Black paintings whose horizontal format continues to intrigue and challenge me.
Read moreI try to do no more than I know.
Read more“I now thought of myself as living the life of a writer. . . ”
Read moreMy work is the result of an ongoing dialogue between video and painting; I work with time, change and a shifting sense of presence or absence. I particularly focus on relationships between people captured on film through sound, rhythms, words and movement.
Read moreI make acrylic paintings in the studio in addition to various mixed media works made outside direct from the landscape.
Read moreFor me, painting celebrates the moment. It is a primal discovery of normality and impossibility cultivating everyday sensations that can be seen or felt.
Read morePattern recognition is crucial to humans, it helps us understand and predict what is coming.
Read more. . . EMBRACING THE UNDERDOG is taking place in the underground car park in Gerrard Street right at the very centre of the Chinese New Year celebrations for the Year of the Dog. . . . . in Chinatown – the biggest Chinese New Year celebrations outside Asia EMBRACING…
Read moreAltered States a London Group and Friends exhibition at Waterloo Festival 2018. Photograph by Eleanor Bentall
Read moreEvery other year we have an Open exhibition where members of the public are invited to exhibit alongside members. This one from The Open 2017.
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