Eric Fong is a multimedia artist working in film, photography, sculpture and installation. His practice explores issues relating to the body, identity and vulnerability in the context of biomedicine and forensic anthropology, often informed by his past experience as a medical doctor.
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My work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.
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My work is about my grandmother. She is 90 years old and suffers from Alzheimer’s disease.
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Genetic Moo is a digital art group. We build living installations in pixels and light.
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I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964.
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Vanishing Point, a long term work-in-progress, has involved sculpture, installation, photography, video and collaboration with three composers…
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I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.
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I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.
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On and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.
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I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.
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My practice represents the relationship between nature, technology and even the sublime – as upon peering into another world with bold straight line structures which contrast curves and fluidity, the voids and chasms of space alluding to universes.
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The making of drawings, painted images, is an inherent aspect of my experience of living and has been since childhood; not to make visual images of some sort would be an act of denial of an essential need.
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As an artist, my main concern is challenging people to see the possibilities in beauty through pre-used building materials where others see functionality.
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