Gus Cummins RA
Gus Cummins approach towards his work is constantly evolving, “I am constantly trying to ‘shift my ground’, alarming myself by stepping off safe and familiar territory”.
Read moreGus Cummins approach towards his work is constantly evolving, “I am constantly trying to ‘shift my ground’, alarming myself by stepping off safe and familiar territory”.
Read moreMy practice uses sculpture as a conduit to respond to our everyday experience.
Read moreI work with open-ended constructive ideas of composition, overlapping particular schemes of organization, from one work to the next.
Read moreMark Dickens has been commissioned by Bernie Ecclestone to create 20 paintings, one for each Grand Prix.
Read moreMy practice explores boundaries and disconnections through time.
Read moreMaking a statement about painting is always very dangerous. There are always more questions than satisfactory answers. Everything is in a state of flux and continuously changing.
Read moreAngela Eames is a drawer whose practice has continuously involved the exploration of drawing in relation to technology.
Read moreI like having a problem to solve, pitting my wits against the evidence of the senses. I want to be accurate in resolving the problem, to meet the challenge of light and colour and sense of place.
Read moreDo I have to explain why I make pictures this way? Does it matter any more that I work both digitally and with real paint?
Read moreEric Fong is a multimedia artist working in film, photography, sculpture and installation. His practice explores issues relating to the body, identity and vulnerability in the context of biomedicine and forensic anthropology, often informed by his past experience as a medical doctor.
Read moreMy work explores the physicality of exchanges between people, objects and material. In particular I investigate the hidden infrastructure of the interaction between these things.
Read moreMy work is about my grandmother. She is 90 years old and suffers from Alzheimer’s disease.
Read moreGenetic Moo creates immersive interactive experiences which encourage experimentation and collaborative play. We call our exhibitions Microworld.
Read moreI still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964.
Read moreVanishing Point, a long term work-in-progress, has involved sculpture, installation, photography, video and collaboration with three composers…
Read moreI use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.
Read moreI love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.
Read moreOn and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.
Read moreI make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.
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