Ken Oliver

“Their physicality is the first and most immediately apparent of their qualities, the paint rich and dense and closely worked, the surfaces subtle and allusive in the variety of their effects, as though weathered and marked by time, bearing a secret history like old stone or wood. ”

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Eugene Palmer

In recent years my practice has involved me in a continuous examination of modes of representation related to cultural history and cultural identity.

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Janet Patterson

My painting is semi abstract colourfield work and I draw my inspiration from the environment; I am influenced in particular by the minutiae of my surroundings.

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Sumi Perera

Sumi Perera is an interdisciplinary artist, academic & curator who draws upon her background as a doctor, scientist & artist (MA Camberwell College, University of Arts London 2004) working in the east (born in Sri Lanka) & west (lives in the UK).

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Chris Poulton

My work is concerned primarily with phenomenological experience, the appearance and disappearance of memory and the objects associated with it within a Sculptural language.

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Daniel Preece

My recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.

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Simon Read

I have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.

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Dame Paula Rego DBE

“It was an exhibition at the beginning of the Eighties that made her conspicuous. It was comic and disturbing; a frightening sequence of paintings of delinquent monkeys, horribly human in its implications.”

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