Jockel Liess LG invites us to step into the Anechoic Gecko Chamber for a unique sensory experience of dream filtering experimental music!
Featuring:
Jake Williams jfbwilliams.com
Partial Wave Child instagram.com/partialwavechild
Laura Netz netzzz.net/medial-ages-live
Saturday 7th December
Doors 7.30pm | music 8pm
£7 advance (+ booking fees), £10 on the door (cash only)
Advance tickets: bit.ly/AnechoicGeckoChamber
Hundred Years Gallery
13 Pearson Street
London E2 8JD
Jake Williams is a DJ, scholar and educator whose practice traverses soundscape composition, abstract turntablism, and black electronic dance music. He uses field recording and internet rips, Shazam, digital DJ improvisation, essay writing, and pedagogy to critically explore both DJ and experimental music cultures and practices. He is also a founder member of the electronic free improvisation group Spectral Karaoke.
Jake will be playing a new improvised piece, Canon, incorporating electroacoustic hits, sound system tapes, and IG rips from this summer’s festival season.
*Above Fire Below the Lake* is an improvised electroacoustic performance for augmented flute by Partial Wave Child. Jockel Liess and Geoixos use a purpose-built software environment to extend the flute’s capabilities, creating a seamless tapestry of live-processed, manipulated, and sampled sounds.
The performance explores a wide range of flute techniques, from breath tones to high pitch partials, blending them with live sampled electronic textures. Guided by a score outlining 12 modal areas, this piece is an indeterminate journey through a dynamic musical terrain, weaving rhythms and tonalities fluidily into an ever-evolving soundscape. Take a moment to exist alongside this piece of performance art that fuses musical concepts in seeming opposition, transforming the space into one of unpredictable beauty and tension.
Laura Netz, a participant in hacking culture and the noise scene will perform her work: Medial Dark Ages. A piece that uses field recordings, DIY electromagnetic detectors, and open-source electronic instruments. I have worked with bats, crickets, and sheep recordings in this composition. I have been experimenting with Bat5 Digital Bat Detector for the bats, which amplifies and filters the bat’s signals. The composition adheres to a postmaterialist perspective on technology, such as in James Bridle – New Dark Ages – and intends to fit music technology in the context of critical thinking and media archaeology theory.
Book here: bit.ly/AnechoicGeckoChamber
