Susan Haire

These images are of installations from Reflection, Peterborough Cathedral, May/June 2012, a solo exhibition ranging across the whole Cathedral, made in collaboration with New York composer Stephen Dydo.

Read more

Alexandra Harley

I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.

Read more

Julie Held

I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.

Read more

Aude Hérail Jäger

On and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.

Read more

Martin Heron

I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.

Read more

John Holden

The making of drawings, painted images, is an inherent aspect of my experience of living and has been since childhood; not to make visual images of some sort would be an act of denial of an essential need.

Read more

Jane Humphrey

The landscape contains many hidden ‘secrets’ ; ancient field systems identified through aerial photography, droves and tracks reinforced through thousands of years of constant use, or the more transient ‘memories’ of successive lines of a ploughed field.

Read more

Gill Ingham

Gillian Ingham was educated at Ravensbourne College of Art (BA) and Chelsea School of Art (MA). She was elected to the London Group in 1981 and is currently Vice President. From 1990-2012 she was Head of Art at Kensington and Chelsea College.

Read more

Annie Johns

“Making makes, say, boxes and the boxes may be good to look at, but making always matters: so, if anything is to be made to last, it might as well be the making as the box”*

Read more

Jockel Liess

I am an audiovisual artist and composer. My mainly abstract works are meditative environments as explorational spaces of aesthetic concepts. They examine microtonality, timbre, texture, colour and the self-similarity of image and sound, as well as the indeterminacy of change.

Read more

Jeff Lowe

Internationally acclaimed sculptor Jeff Lowe studied at St. Martin’s (1971-75). Taught by amongst others, Sir Anthony Caro, Philip King and William Tucker.

Read more

Graham Mileson

In 1991 at the Triangle International Artists Workshop in New York State I had the opportunity to use Interference Colour, this was when, this new artists medium was not available in the UK.

Read more

Eric Moody

Over the years I have developed a focus on the material evidence of the interaction between city dwellers and their built environment.

Read more

C. Morey de Morand

With a background of unknown forces and the mysterious chaos of the universe, the world in which we exist has rules imposed to define our society. We ourselves then impose our own boundaries, rules, moralities, guidelines by which we live: to make us safe.

Read more

Kathleen Mullaniff

Since 1994 I have been exploring a series of inter-related issues, which takes as a fundamental question: how can painting embrace decoration to disclose a narrative of loss and dislocation?

Read more

Darren Nisbett

My images begin in the dark and empty corners of abandoned places. Travel has become a big part of my imagery and I’ve seen a lot more of the world since taking photography.

Read more

Ken Oliver

“Their physicality is the first and most immediately apparent of their qualities, the paint rich and dense and closely worked, the surfaces subtle and allusive in the variety of their effects, as though weathered and marked by time, bearing a secret history like old stone or wood. ”

Read more

Eugene Palmer

In recent years my practice has involved me in a continuous examination of modes of representation related to cultural history and cultural identity.

Read more

Janet Patterson

My painting is semi abstract colourfield work and I draw my inspiration from the environment; I am influenced in particular by the minutiae of my surroundings.

Read more

Chris Poulton

My work is concerned primarily with phenomenological experience, the appearance and disappearance of memory and the objects associated with it within a Sculptural language.

Read more

Daniel Preece

My recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.

Read more

Simon Read

I have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.

Read more

Dame Paula Rego DBE

“It was an exhibition at the beginning of the Eighties that made her conspicuous. It was comic and disturbing; a frightening sequence of paintings of delinquent monkeys, horribly human in its implications.”

Read more

Tommy Seaward

There are several constants to Tommy Seaward’s process: his work is three-dimensional, always wall mounted and each piece is divided into three precisely spaced, vertically aligned segments.

Read more

Suzan Swale

Painting is the backbone of my work. I have made installations, used video, was part of a performance group for eight years and produce photo-media works, but these in a sense refer back to and coincide with what is going on in my painting.

Read more

Susan Skingle

In everyday language, the weather, stars and planets appear in pictorially vivid idioms, often charged with fatalistic humour. This correlation between individual lives and natural forces is the focus of my constructions and drawings.

Read more

David Shutt

“David Shutt is an artist of passionate integrity who revels in the beauty of appearances. He sees painting as a process of identification and revelation rather than dry classification; and as a way of apprehending the world.”

Read more

David Tebbs

My recent paintings refer to the experience of traveling through urban spaces, particularly subways, staircases & escalators & the way commuters movement & interaction is defined within them.

Read more