“David Shutt is an artist of passionate integrity who revels in the beauty of appearances. He sees painting as a process of identification and revelation rather than dry classification; and as a way of apprehending the world.”
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Philippa Stjernsward
Srinivas Surti
I work with visual motifs originally associated with Romanticism and Modernism which now appear in forms of commercial display, packaging and spatial design.
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Suzan Swale
Painting is the backbone of my work. I have made installations, used video, was part of a performance group for eight years and produce photo-media works, but these in a sense refer back to and coincide with what is going on in my painting.
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Almuth Tebbenhoff
I split my working time between steel and marble.
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David Tebbs
My recent paintings refer to the experience of traveling through urban spaces, particularly subways, staircases & escalators & the way commuters movement & interaction is defined within them.
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Paul Tecklenberg
Much of my practice is about perception and revealing what is usually hidden.
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David Theobald
David Theobald is a video artist born in Worthing in 1965. Although originally trained as a chemical engineer, he pursued a career in finance for fifteen years, living both in New York and London.
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Michael Thorpe
I am interested in the interplay between the ‘field’ and its ‘parts’, between moment and continuity and the observer’s role in the flux of ideas, phenomena and perception.
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Philippa Tunstill
My paintings are a continuous exploration of spatial ideas through colour, surface and texture which are applied and manipulated to produce an intense interactive little drama emerging out of a field of flat colour.
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Bill Watson
In my sculptures there are three main themes.
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Neil Weerdmeester
Beauty in the age of digital manipulation, stills in a mediated world that conjure up a hidden narrative beyond the surface of the work. Caught between the mediums where fact mixes with fiction my work seeks to open up interpretation and questions our need for answers.
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Tisna Westerhof
While my practice is grounded in printmaking, I revel in breaking down the limitations of materials and reinventing traditional handicrafts. My highly tactile works capture a child like sense of delight with a combination of humour and melancholy.
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Anthony Whishaw RA
My early work, 1950s/60s, grew out of great admiration for C. Permeke, Picasso, Cubists and especially Goya’s Black paintings whose horizontal format continues to intrigue and challenge me.
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Arthur Wilson
I try to do no more than I know.
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