Janet Patterson

My painting is semi abstract colourfield work and I draw my inspiration from the environment; I am influenced in particular by the minutiae of my surroundings.

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Chris Poulton

My work is concerned primarily with phenomenological experience, the appearance and disappearance of memory and the objects associated with it within a Sculptural language.

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Daniel Preece

My recent paintings use the city as a starting point to explore formal issues of geometry and colour and to express the excitement and dynamism of the city.

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Simon Read

I have always regarded drawing as my way of coming to grips with an idea on the assumption that if I can generate a satisfactory graphic solution, I shall have reached a more complete understanding of its subject.

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Dame Paula Rego DBE

“It was an exhibition at the beginning of the Eighties that made her conspicuous. It was comic and disturbing; a frightening sequence of paintings of delinquent monkeys, horribly human in its implications.”

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Tommy Seaward

There are several constants to Tommy Seaward’s process: his work is three-dimensional, always wall mounted and each piece is divided into three precisely spaced, vertically aligned segments.

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Susan Skingle

In everyday language, the weather, stars and planets appear in pictorially vivid idioms, often charged with fatalistic humour. This correlation between individual lives and natural forces is the focus of my constructions and drawings.

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David Shutt

“David Shutt is an artist of passionate integrity who revels in the beauty of appearances. He sees painting as a process of identification and revelation rather than dry classification; and as a way of apprehending the world.”

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