The London Group was formed by an amalgamation of the Camden Town Group and the English Cubists (later Vorticists) in 1913. This grouping of radical young artists came together as a reaction to the stranglehold which the Royal Academy had on exhibiting new work. Founder members included Spencer Gore, Wyndham Lewis, Sickert and Epstein. The London Group decided on a written constitution and a number of officers to run the Group’s affairs. Members were to be elected to the Group based on a democratic election. A Working Party was set up to organize London Group exhibitions which were to revitalize contemporary visual art, bringing in new European developments in painting and sculpture, especially from France. Artists exhibited their own choice of work. The London Group made no judgmental decisions on members’ work, a tradition proudly defended to this day.

The beginning of the First World War and the early death of the first President, Harold Gilman, were inauspicious moments for the new group, yet it survived and, in the Twenties, developed into a progressive and critically acclaimed venue for contemporary artists. Roger Fry and the Bloomsbury set were extremely influential in the Group during this decade.

The Thirties saw a greater diversity of activity. There was a healthy exchange between the more objective Cézanne salon and the Surrealists, for example. Again, the Group survived another World War, managing to mount exhibitions throughout the early Forties.

As Europe healed its wounds The London Group was to enter into a golden period in the 50’s and early 60’s. There were regular, affordable venues to hold annual exhibitions, large enough to offer space for every member to show more than one work and to invite non-members through open submission. The highlight of this period was The London Group Jubilee Exhibition held at the Tate Gallery in 1964.

In the 1970s The London Group became the major vehicle for young artists emerging from art school in the way the Young Contemporaries was for art students. It held major open exhibitions across London including the Royal College of Art, The South London Art Gallery and Camden Art Centre. The nature of contemporary visual art and its consumption began to change and diversify and this change was reflected in the membership and exhibition strategies of the Group. The London Group’s 80th Anniversary Exhibition, held at the Concourse Gallery, Barbican in 1993 was launched by Lord Gowrie, the then Minister for the Arts. The 90th Anniversary Exhibition in Cork Street saw the launch of The London Group website and a commemorative yearbook published in 2003.

The London Group’s centenary year and after

2013 saw the Group celebrating its Centenary with four major exhibitions and a collaboration with Ben Uri Gallery. One of the exhibitions was an open submission exhibition, with more highly successful ‘Opens’ in 2015 and 2017, all three shown at The London Group’s home, The Cello Factory in Waterloo. In 2014 the anniversary of the first London Group exhibition held in 1914 was celebrated with two exhibitions, “The London Group on London” at The Cello Factory and “From David Bomberg to Paula Rego: The London Group in Southampton” at Southampton City Art Gallery. The Group also experimented with Small Group Exhibitions (SGEs) where the diverse approaches of members’ work could be accommodated outside of a full-members show.

Recently, engaging pop-up exhibitions have emerged, at locations such as car parks and a church crypt and churchyard. A programme of Salons was also organised, evenings where members could get together to informally discuss issues of their choosing. The Group has spread its wings to show away from The Cello Factory in London, notably Mottisfont Abbey in Hampshire, Shoreham Village in Kent, Linden Hall Studios in Deal and the Penwith Gallery in St Ives, Cornwall. There have been international forays to the Netherlands, Italy and Wisconsin University, USA.

All of these events came to fruition due to members’ ideas, vision, organisational skills and sheer enthusiasm for contemporary art in all its forms. At present The London Group has more members than at any point in its history and continues to function without style or dogma, being the only democratically run group which survives into the 21st century.


Historical Members

There have been just over 400 members in the Group’s history. This page includes details on the founders, the presidents and all the rest. 


The London Group: a history 1913-2013 by David Redfern

Despite The London Group celebrating its One Hundredth Anniversary in 2013 no complete history of the Group has ever been written…that is, until now! “The London Group: a history 1913-2013” written by David Redfern, a current member of the Group, tells the story of this well known artists’ exhibiting cooperative from its origins as an enlargement of the Camden Town Group in 1913 through one hundred years of triumphs and tears to the vibrant and enthusiastic Group it is today, all set in a cultural, social and geographical context.

(Softback 416 pages with many B&W and colour illustrations) The book costs £20 and is available from Amazon