Susan Haire

These images are of installations from Reflection, Peterborough Cathedral, May/June 2012, a solo exhibition ranging across the whole Cathedral, made in collaboration with New York composer Stephen Dydo.

Read more

Alexandra Harley

I use a variety of different materials – mostly wood, but also stone, clay, and paper – to explore the concept of movement and animation in non-kinetic sculpture.

Read more

Julie Held

I love colour and use it to structure composition. Drawing is as important. My subjects are taken from daily life then mediated in my imagination.

Read more

Aude Hérail Jäger

On and off human beings become aware of a constant juggling of mysterious inner forces, some palpable and loud, others hidden, yet all potent and powerful. I am drawn to investigate what is not there in full view.

Read more

Martin Heron

I make two and three dimensional drawings and paintings exploring spontaneous mark making, experimental use of prefabricated materials and ready-made forms.

Read more

Alexander Hinks

My practice represents the relationship between nature, technology and even the sublime – as upon peering into another world with bold straight line structures which contrast curves and fluidity, the voids and chasms of space alluding to universes.

Read more

John Holden

The making of drawings, painted images, is an inherent aspect of my experience of living and has been since childhood; not to make visual images of some sort would be an act of denial of an essential need.

Read more

Jane Humphrey

The landscape contains many hidden ‘secrets’ ; ancient field systems identified through aerial photography, droves and tracks reinforced through thousands of years of constant use, or the more transient ‘memories’ of successive lines of a ploughed field.

Read more

Gill Ingham

Gillian Ingham was educated at Ravensbourne College of Art (BA) and Chelsea School of Art (MA). She was elected to the London Group in 1981 and is currently Vice President. From 1990-2012 she was Head of Art at Kensington and Chelsea College.

Read more

Annie Johns

“Making makes, say, boxes and the boxes may be good to look at, but making always matters: so, if anything is to be made to last, it might as well be the making as the box”*

Read more